For the theme Architectural Fiasco and the Rest, I interpret it as an exploration of the limitless possibilities and imaginations of architecture. Therefore, I use spatial arrangements and tangible materials to convey the abstract concept of time.
本次主題是最失敗的建築及其以外，我轉譯為盡可能的去實踐建築的任何可能性與想像，因此我想試著用空間與具象的物質來傳遞抽象的時間概念。
Time flows continuously and invisibly, yet I aim to physically capture a single instant. By showcasing the movement of plaster, the work freezes the dynamic moment of its flow, transforming it into a spatial representation.
時間是不停在流動且不可視的。我想呈現一個瞬間的狀態。我用來實踐的方法是呈現動態的瞬間，將作品凝滯在石膏流淌的過程，並將他空間化。
During the design process, I experimented with various material properties to convey a sense of dynamism, mostly focusing on flexible and foldable materials. Among them, the unique characteristics of liquid plaster stood out and caught my attention: it gradually hardens with the warmth of hands, transforming from smooth and delicate to granular and viscous.
設計發展過程中我嘗試用多種材料特性來表達動態感，大多都是可彎曲摺疊的素材。其中石膏液的特性特別吸引我：他隨著手溫逐漸硬化，質地也從滑順細膩變得顆粒且黏稠，直到乾裂。因此我選用石膏凝固的各項階段來作為呈現的手段。
If the plaster flows down and dries naturally, it fails to convey a strong sense of an "instantaneous" effect. Therefore, I disrupted the timeline by pouring the plaster from different angles in stages, allowing it to form distinct layers: the viscous part settling on top and the smooth, fluid part pooling at the bottom, giving the impression that it is still flowing and in motion.
若是讓石膏自然地留下並乾涸，並無法達到強烈的「瞬間」效果。我嘗試打亂作品的時序，分次以不同的角度澆灌，並且讓後段較濃稠的石膏液分布在作品上方，下方則淤積了彷彿剛流下來的未乾的滑順液體。
